Solutions

Cinematic Live

A live broadcast that doesn’t feel like television, but like film. We shoot your event on large-sensor cinema cameras — the same cameras used to make films and series — with true cine lenses, shallow depth of field and cinematic colour. Without giving up an inch of live reliability.

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Cinematic live broadcast with large sensor cameras

Most broadcasts look like television because the cameras are built for television

Watch a typical live broadcast and you spot it instantly: a flat, functional image where speaker and background are equally sharp, the colours neutral, and the whole thing looking a little too much like the evening news. Not ugly — but not something anyone keeps watching either. That isn’t the crew or the lighting. It’s the camera. Broadcast cameras are built for television: small sensors, everything in focus, fast and predictable. Perfect for the news, but it produces images that are forgotten the moment the stream ends.

Large-sensor cinema cameras flip that. The same cameras and lenses used to shoot films and series give your event the weight of film. The speaker separates from the background through a shallow depth of field, the room feels alive on screen, and the colour tells part of the story instead of just recording it. The difference between something that looks like a broadcast and something that looks like a piece of work people actually want to watch.

We bring that cinematic approach to your own venue, and combine it where you want with techniques like an audience wall — so the film look meets a broadcast that still simply holds up live.

Cinema camera with cine lens during a live Stream My Event production

The advantages of our technology

  • Large-sensor cinema cameras

    The same sensors as in film and drama series — more light, more detail, a richer image than any broadcast camera delivers.

  • True cine lenses and shallow depth of field

    Storytelling lenses that lift the speaker off the background, so attention lands naturally where it belongs.

  • Cinematic colour and grading

    A considered colour grade instead of neutral broadcast colour — the broadcast gets a distinct, recognisable look.

  • Cinematic look, live reliable

    The cinema look sits inside a proven live workflow, so you get the filmic image without the risk of a film set.

  • A crew that shoots both film and live

    Operators fluent in both cinematography and live directing — the eye of a film crew, the discipline of a broadcast.

Options & possibilities

🎥 Camera & lens packages

From a single cinematic hero camera to a full cine set with selected primes — sized to your event and budget.

🎨 Colour grade & custom LUT

A look tuned to your brand, applied live and kept consistent across every camera and every scene.

🎬 Multi-cam cinematic switching

Several cinema cameras, cut live like a film scene — wide shots, close-ups and movement on cue.

💡 Cinematic lighting design

Light that carries the film look: modelled, with depth and contrast instead of flat house lighting.

✨ Showreel & gallery deliverable

Alongside the live stream, an edited showreel and stills — material you keep using afterwards.

🧩 Combine with other solutions

Pair the cinema look with [multi-channel streams](/oplossingen/multi-channel-streams) or a [custom streaming platform](/oplossingen/custom-streaming-platform).

A broadcast that looks like film?

Tell us about your event and the look you have in mind, and we’ll explore how a cinematic live production gives your moment the weight of film.

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